Pryor, Rebekah and Stephen Burns, eds. Feminist Theologies: Interstices and Fractures. Minneapolis: Fortress Press (forthcoming 2021).
Handasyde, Kerrie, Cathryn McKinney and Rebekah Pryor, eds. Contemporary Feminist Theologies: Power, Authority, Love. London: Routledge (2021). >
“This is My Body: Re-making the maternal image in terms of divine relation and difference.” In Feminist Theologies: Interstices and Fractures, edited by Rebekah Pryor and Stephen Burns. Minneapolis: Fortress Press (forthcoming 2021).
“Thinking, dancing: Exploring the gaps between ecstasy and distress.” In Contemporary Feminist Theologies: Power, Authority, Love, edited by Kerrie Handasyde, Cathryn McKinney and Rebekah Pryor. London: Routledge (2021). >
“Performing the Icon and other maternal gestures.” In Topologies of Sexual Difference, edited by Louise Burchill. Albany, NY: SUNY Press (forthcoming).
“Lullaby: Births, deaths and narratives of hope.” Religions 11, no. 3 (2020): 138. doi:10.3390/rel11030138 >
“This is My Body: Re-imagining the Mother and the Sacred in Art and Ordinary Life.” PhD Thesis, The University of Melbourne, 2017. >
Holy, Honest Confluences. Melbourne, Australia: Rebekah Pryor, 2019. Exhibition catalogue. >
Cathedral. Melbourne, Australia: Rebekah Pryor, 2015. Exhibition catalogue. >
"Blue Spring Skies: Yoko Ono's Five Dots (2014) and other prompts for seeing beyond the image". The Cooperative. 2020. >
“Holy, Honest Confluences and the Value of Multiplicity”. Art/s and Theology Australia. 2019. >
Pattenden, Rod. “Tears of the Mother”, review of Saltcellars (2018) by Rebekah Pryor, ArtWay, January 26, 2020. >